A collection of four hundred hymns, some meant for congregational use, and some, because of their experimental form or meter, meant for private study. In selecting the hymns, J. C. Ryle aimed to bridge the divide between different variations of the Christian faith. “It is a pleasant thought,” he writes, “that however much Christians may disagree in pulpits, on platforms, and in prose writing, they are generally of one heart and one mind, in praise and prayer.”