Ebook
Virginia Woolf’s daring essay on how illness transforms our perception, plus an essay by Woolf’s mother from the caregiver’s perspective: “Revelatory.” —Booklist
This new publication of “On Being Ill” with “Notes from Sick Rooms” presents Virginia Woolf and her mother, Julia Stephen, in textual conversation for the first time in literary history. In the poignant and humorous essay “On Being Ill,” Woolf observes that though illness is part of every human being’s experience, it is not celebrated as a subject of great literature in the way that love and war are embraced by writers and readers. We must, Woolf says, invent a new language to describe pain. Illness, she observes, enhances our perceptions and reduces self-consciousness; it is “the great confessional.” Woolf discusses the taboos associated with illness, and she explores how it changes our relationship to the world around us. “Notes from Sick Rooms,” meanwhile, addresses illness from the caregiver’s perspective. With clarity, humor, and pathos, Julia Stephen offers concrete information that remains useful to nurses and caregivers today.
This edition also includes an introduction to “Notes from Sick Rooms” by Mark Hussey, founding editor of Woolf Studies Annual, and a poignant afterword by Rita Charon, MD, founder of the field of Narrative Medicine. In addition, Hermione Lee’s brilliant introduction to “On Being Ill” offers a superb overview of Woolf’s life and writing.
“Woolf’s inquiry into illness and its impact on the mind is paired with her mother’s observations about caring for the body. Julia Stephen . . . had no professional training but took to heart Florence Nightingale’s precept that every woman is a nurse and emulated Nightingale’s best-selling Notes on Nursing with her own “Notes from Sick Rooms.” In this long-overlooked, precise, and piquant little manual, Stephen is compassionate and ironic, observing that everyone deserves to be tenderly nursed while addressing the small evil of crumbs in bed. This unprecedented literary reunion of mother and daughter is stunning on many fronts, but physician and literary scholar Rita Charon focuses on the essentials in her astute afterword, writing that Woolf’s perspective as a patient and Stephen’s as a nurse together illuminate the goal of care—to listen, to recognize, to imagine, to honor.” —Booklist
“Woolf and Stephen will certainly change the way readers think of illness.” —Publishers Weekly
"By turns lyrical, self-mocking, and outlandish, Woolf's meditation on the perils and privileges of the sickbed lampoons the loneliness that makes one glad of a kick from a housemaid and extolls the merits of bad literature for the unwell.... When Woolf imagines beauty in a frozen-over garden, even after the death of the sun ... it seems less a triumph of nature than of art." —The New Yorker
"In 2002, Paris Press, the Ashfield, Mass.,nonprofit publisher, rescued a little-known work by Virginia Woolf, On Being Ill. To mark the first decade in print of the Paris Press edition, the press is reissuing On Being Ill in November in paperback for the first time in an expanded edition (to be reviewed in PW's Oct. 15 issue). But the new paperback goes beyond reproducing the 2002 edition. It includes another long out-of-print essay, Notes from Sick Rooms by Woolf's mother, Julia Stephen, which was originally published in 1883 by Smith, Elder & Co. (Charlotte Brontë's publisher). For Paris Press director Jan Freeman, the addition of the new material—which also includes an introduction to Notes from Sick Rooms by Woolf scholar Mark Hussey and an afterword by physician Rita Charon—has transformed the book into a 'conversation in text' between Woolf and her mother (who died when Woolf was 13), patient and nurse. 'There are wonderful parallels between the two texts,' said Freeman. 'You learn about Woolf by reading Notes from Sick Rooms, and you learn about Woolf's mother's life. There's a familiarity in [Woolf's mother's] voice. Woolf didn't become a writer exclusively from the influence of her father.'" —Publishers Weekly
"The distance that yawns between the sick and the healthy—the 'army of the upright'—is the terrain mapped by Virginia Woolf in a marvelously elegant essay, On Being Ill.... On Being Ill speaks to the inseparable nature of psyche and soma, the tormented mind and body as one." —Los Angeles Times
"Perusing this delicate yet powerful little book, we can't help but admire the shapeliness, the eloquence, the stylishness, and the incisiveness of the essay it contains. Nor can we fail to notice the witty paradoxes that animate and lend additional sparkle to this bright display of originality and intelligence.... Only in the final paragraphs of On Being Ill is the reader at last able to see what Woolf has been working toward: an affecting, resonant recapitulation and illustration of the inadequacy and superfluity of language in our efforts to describe human suffering. Which is, perhaps needless to say, also the most paradoxical aspect of the essay—the verbal pyrotechnics, the scintillating clarity and richness of the phrases and sentences in which Woolf tells us about the poverty and limitations of language." —Francine Prose, Bookforum