Ebook
Samuel Taylor Coleridge's conception of "the willing suspension of disbelief" marks a pivotal moment in the history of literary theory. Returning to Coleridge's thought and Shakespeare criticism to reconstruct this idea as a form of "poetic faith", Michael Tomko here lays the foundations of a new theologically oriented mode of literary criticism. Bringing Coleridge into dialogue with thinkers ranging from Augustine to Josef Pieper, contemporary critics such as Stephen Greenblatt and Terry Eagleton as well as writers like J.R.R. Tolkien and Wendell Berry, Beyond the Willing Suspension of Disbelief offers a method of reading for post-secular literary criticism that is not only historically and politically aware but also deeply engaged with aesthetic form.
Examines Coleridge's ideas of the 'willing suspension of disbelief' to construct a new mode of theologically informed literary criticism.
Draws on a wide range of religious and literary theorists, from Augustine to Eagleton
Explores the religious dimension of Coleridge's criticism and its application to later writers like Tolkien
Casts new light on the idea of the "suspension of disbelief" in literary theory
Introduction: dreams for realities
1 The willing suspension of disbelief
2 Poetic faith
3 The willing resumption of disbelief
Conclusion: Potent art
Bibliography
Index
Tomko … has chosen a very strong topic: the tension between aesthetic cum ethical appeal and ideological imperiousness. His tendency to use a dialectic of opposing positions, examine the shortcomings of either extreme, and explore intermediate positions makes a good match for Coleridge's own heuristic inclinations. The scope of the book is broad, encompassing numerous theoretical/critical texts (Eagleton, McGann, Tolkien, to name only a few) and primary texts (e.g., Shelley's “Ozymandias,” Shakespeare's Hamlet and Tempest, Tolkien's Lord of the Rings). There is no doubting the drive to discover in this author. Given these strengths, the book sets the bar very high on a topic of pressing interest for many readers.
Elegantly written, theologically informed, this is top-level critical theory.
Michael Tomko's focussed, lucid, and eloquent study reconsiders Coleridge's seminal formulation in Biographia Literaria: “that willing suspension of disbelief for the moment, which constitutes poetic faith.” … Tomko makes an excellent case for the centrality of religious faith to Coleridge's thinking and writing.
Tomko offers us an extended meditation on Coleridge's idea of 'the willing suspension of disbelief' in its subsequent use, abuse and history as a critical term ... He writes with great insight ... [A] slim, stimulating and erudite book.
Michael Tomko is Associate Professor in the Department of Humanities at Villanova University, USA and book review editor for Religion & Literature. He is the author of British Romanticism and the Catholic Question: Religion, History and National Identity, 1778-1829 (2011) and co-editor of Firmly I Believe and Truly: The Spiritual Tradition of Catholic England, 1483-1999 (2011).