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Christian Iconography: The History of Christian Art in the Middle Ages (2 vols.)
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Christian Iconography: The History of Christian Art in the Middle Ages (2 vols.)

by

George Bell and Sons 1886

Runs on Windows, Mac and mobile.
$35.95

Overview

Christian Iconography: The History of Christian Art in the Middle Ages provides a comprehensive introduction to the history of Christian art in the Middle Ages. Respected nineteenth-century French art historian Adolpe Napoleon Didron takes readers through the essential points of iconography and Christian art during this period. Beginning with a discussion of “Nimbus, or Glory,” Didron covers depictions of Jesus, the Cross, and the Holy Spirit, and then discusses the iconography of angels, devils, the soul, and much more. The text unpacks particular artistic elements and their development through time, and gives readers introduction to major artists, events, and movements crucial in the history of Christian art during the Middle Ages.

Readable, yet thorough, the detailed nature of this text offers readers an opportunity to more fully understand the rich history, tradition, and symbolism of religious art found in churches, museums, or other historical and cultural references. With ample illustrations and a helpful index to these illustrations, this text is a valuable resource for anyone looking to deepen their understanding of iconography. It’s also a great tool for gaining a cursory understanding of major themes and prominent styles found in Christian art produced between the fifth and fifteenth centuries.

In the Logos editions, these volumes are enhanced by amazing functionality. Scripture citations link directly to English translations, and important terms link to dictionaries, encyclopedias, and a wealth of other resources in your digital library. Perform powerful searches to find exactly what you’re looking for. Take the discussion with you using tablet and mobile apps. With Logos Bible Software, the most efficient and comprehensive research tools are in one place, so you get the most out of your study.

Check out Early Christian Iconography and a School of Ivory Carvers in Provence to expand your study of Christian art history further.

Key Features

  • Provides an introduction to the history of Christian art in the Middle Ages
  • Discusses the development of iconography
  • Uses numerous illustrations

Individual Titles

Christian Iconography: The History of Christian Art in the Middle Ages, vol. 1

  • Author: Adolphe Napoleon Didron
  • Editor: Margaret Stokes
  • Translator: E. J. Millington
  • Publisher: George Bell and Sons
  • Publication Date: 1886
  • Pages: 554

Sample Pages: 1 | 2 | 3 | 4 | 5 | 6 | 7

In this volume, Didron presents the history of the nimbus, the aureole, and the glory. He also discusses representations of the persons of the Trinity. Using numerous illustrations, Didron provides a detailed yet accessible introduction to the Christian art of the Middle Ages.

Christian Iconography: The History of Christian Art in the Middle Ages, vol. 2

  • Author: Adolphe Napoleon Didron
  • Editor: Margaret Stokes
  • Translator: E. J. Millington
  • Publisher: George Bell and Sons
  • Publication Date: 1907
  • Pages: 500

Sample Pages: 1 | 2 | 3 | 4 | 5 | 6 | 7

In the second volume of Christian Iconography, Didron continues his discussion of the history and representation of the Trinity. He then discusses the iconography of angels, devils, death, the soul, and the Christian Scheme. Using numerous illustrations, Didron provides a detailed yet accessible introduction to the Christian art of the Middle Ages. This volume also includes detailed appendixes and indexes.

Product Details

  • Title: Christian Iconography: The History of Christian Art in the Middle Ages
  • Author: Adolphe Napoleon Didron
  • Editor: Margaret Stokes
  • Translator: E. J. Millington
  • Publisher: George Bell and Sons
  • Volumes: 2
  • Pages: 1,054

About the Author

Adolpe Napoleon Didron (1806–1867) was an art historian and archaeologist. Born in Hautvillers, France, he began his education studying law, and then became a professor of history in Paris in 1826. In 1830, supposedly on the advice of writer Victor Hugo, Didron began a study of the Christian archaeology of the Middle Ages. He visited a number of principle churches of Normandy and of central and southern France, as well as in Greece to research for his book. In 1835, he was appointed to the Historical Committee of Arts and Monuments, and delivered numerous lectures on Christian iconography at the Bibliothèque Royale. He began the journal, Annales archéologiques, in 1844, which he continued to edit until his death. Didron was admitted to the Légion d’honneur in 1845. He also wrote Manuel d’iconographie chrétienne grecque et latine, Iconographie des chapiteaux du palais ducal de Venise, and Manuel des objets de bronze et d'orfèvrerie.