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Franz Joseph Haydn (1732–1809) has been called the father of the symphony and the string quartet. A friend of Mozart and a teacher of Beethoven, “Papa” Haydn composed an amazing variety of music—symphonies, string quartets, concerti, masses, operas, oratorios, keyboard works—and his prolific output celebrates both the heights and depths of life.
In this fascinating book, Calvin Stapert combines his skills as a biographer and a musicologist to recount Haydn’s steady rise from humble origins to true musical greatness. Unlike other biographers, Stapert argues that Haydn’s work was a product of his devout Catholic faith, even though he worked mainly as a court musician and the bulk of his output was in popular genres. In addition to telling Haydn’s life story, Stapert includes accessible listening guides to The Creation and portions of other well-known works to help Haydn listeners more fully appreciate the brilliance behind his music.
In the Logos edition, Playing Before the Lord is enhanced by amazing functionality. Scripture citations link directly to English translations, and important terms link to dictionaries, encyclopedias, and a wealth of other resources in your digital library. Powerful searches help you find exactly what you’re looking for. Take the discussion with you using tablet and mobile apps. With Logos Bible Software, the most efficient and comprehensive research tools are in one place, so you get the most out of your study.
- Blends the inspiring story and music of a truly great composer into a compelling narrative
- Focuses on the influence of Catholicism and faith on Haydn’s life
- Title: Playing Before the Lord: The Life and Work of Joseph Haydn
- Author: Calvin R. Stapert
- Publisher: Eerdmans
- Publication Date: 2013
- Pages: 272
About the Calvin R. Stapert
Calvin R. Stapert is professor emeritus of music at Calvin College in Grand Rapids, Michigan. His previous books include My Only Comfort: Death, Deliverance, and Discipleship in the Music of Bach; Handel’s Messiah: Comfort for God’s People; and A New Song for an Old World: Musical Thought in the Early Church