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Writing has come face-to-face with a most crucial juncture: to negotiate with the inescapable presence of violence. From the domains of contemporary Middle Eastern literature, this book stages a powerful conversation on questions of cruelty, evil, rage, vengeance, madness, and deception. Beyond the narrow judgment of violence as a purely tragic reality, these writers (in states of exile, prison, martyrdom, and war) come to wager with the more elusive, inspiring, and even ecstatic dimensions that rest at the heart of a visceral universe of imagination. Covering complex and controversial thematic discussions, Jason Bahbak Mohaghegh forms an extreme record of voices, movements, and thought-experiments drawn from the inner circles of the Middle Eastern region. By exploring the most abrasive writings of this vast cultural front, the book reveals how such captivating outsider texts could potentially redefine our understanding of violence and its now-unstoppable relationship to a dangerous age.
An intense exploration of Middle Eastern writers of violence and their experiments with ideas of cruelty, deception, madness, rage, war, annihilation, and evil.
Offers an expansive and distinctive interpretation of contemporary Middle Eastern literature and philosophy.
Global insights into dimensions of 'violence', bridging past and emergent intellectual traditions.
Traverses new wave Persian, Arabic and Turkish texts that illustrate its fixture in textual practice.
Includes works of Sadeq Hedayat, Ahmad Shamlu, Nima Yushij, Adonis, Samih al-Qasim and Mahmoud Darwish.
Series Foreword
Preface: Violence, East/West
Acknowledgements
0. Zero-World Consciousness
1. Threat: Writings of Betrayal
2. Annihilation: Writings of Cruelty
3. Sharpening: Writings of Evil
4. Deception: Writings of Midnight
5. Rage: Writings of Overthrow
6. Assassination: Writings of War
6.5. Interlude (Of the Factions, of the Barriers)
7. Conclusion (Of Those Who Have Become Jagged): Reckonings of an Eastern Violence
Notes
Bibliography
Index
Perhaps the major merit of Inflictions is not only the strength of its argument, but it is more the book's relentless counter canonical approach - a timely political-methodological intervention which boldly contemplates the inscriptions of real violence as integral to the very movement of absolute laceration of writing itself and the ultimate depleting of the metaphysics of presence … From this multi-dimensional perception of how we ought to begin reading violence, from this deferred universe, the ideas of post-apocalyptic visions emerge and unfold. By all means, one can only hope that this book excites more inquiries peeling through more engravings-of-thought contained in concealed poetic, fictional, and philosophical palimpsests waiting for their moments to emerge.
Jason Bahbak Mohaghegh is Assistant Professor of World Literature at New Jersey City University, USA.