Ebook
The Politics of Writing Islam provides a much-needed critique of existing forms of studying, writing and representing Islam in the West. Through critiquing ethnographic, literary, critical, psychoanalytic and theological discourses, the author reveals the problematic underlying cultural and theoretical presuppositions. Mutman demonstrates how their approach reflects the socially, politically and economically unequal relationship between the West and Islam.
While offering a critical insight into concepts such as writing, power, post-colonialism, difference and otherness on a theoretical level, Mutman reveals a different perspective on Islam by emphasizing its living, everyday and embodied aspects in dynamic relation with the outside world - in contrast to the stereotyped authoritarian and backward religion characterized by an omnipotent God.
Throughout, Mutman develops an approach to culture as an embodied, everyday, living and ever changing practice. He argues that Islam should be perceived precisely in this way, that is, as an open, heterogeneous, interpretive, multiple and worldly belief system within the Abrahamic tradition of ethical monotheism, and as one that is contested within as well as outside its 'own' culture.
Critical and theoretical essays on forms of studying, writing and representing Islam in Western humanities and literature.
Asks why Islam is rarely discussed in theoretical discussions on religion, unlike Christianity and Judaism
Argues that religion and Islam is culture, emphasizing its living, dynamic and multiple dimensions
Questions homogenous and stable notion of culture and suggests culture as an ever-changing practice
Challenges prevailing modes of writing about Islam as an object of scholarly political research
Introduction
Part I: Ethnographies: Writing Culture
1. Writing Culture: the Name of Man
2. Native Speaker, Master Audience
3. Exchange Past and Future
Part II: Literatures: Crossing Culture
4. Resonance of Light: Reading T.E. Lawrence
5. Nomadism or Sovereignty: Location of Culture
Part III: Theologies: the Voice of the Other
6. Orphan Religion
7. Reciting: the Voice of the Other
Conclusion
Bibliography
Index
A significant contribution ... [Mutman] offers a nuanced analysis ... [and] compelling narratives ... bring[ing] to light many challenges that scholars, writers, and academics face as they venture into identifying otherness within culture or religion ... [This book] introduces readers to a wide range of challenging concepts and discourses and contributes to the debates over appropriating the voice of the other by opening a fresh and long overdue area of research.
Mutman presents a thoughtful critique of a series of postmodern theoreticians and their analyses of Islam and Muslims ... This is essential reading for both students and scholars interested in Islamic studies.
In The Politics of Writing Islam, Mahmut Mutman has produced an admirably clear and finely argued account of the complex problems that arise whenever Islam is posited as an object of knowledge. In critical readings of exemplary works in a variety of fields, ranging from ethnography and travel writing to discussions of gender among Muslim intellectuals and novelists, Mutman explores how Islam typically stands in for something else: culture, nation, identity. With deft support from Jacques Derrida and Gayatri Chakravorty Spivak, Mutman shows how the emergence of a new phase of 'political Islam' in the last four decades marks a crisis of legitimacy, no longer dominated by opposition to neo-colonialism and the West, but a struggle to frame a democratic politics within Islamic discourse.
Whose Islam? When did Islam first become political? This exhilarating and rigorous book ranges from ethnography to literature to theology, hanging out with Pierre Bourdieu in Algeria, debating with Fethi Benslama, Saba Mahmoud, Mehdi Abedi and Michael M. J. Fischer, James Clifford, Alain Badiou, Assia Djebar, and Abdelkabir Khatibi, and shedding light on imperialism, colonialism, global capitalism, Islamic disputation, Sufism, and struggles for democracy from Istanbul to Cairo. Everyone should follow Mutman into the desert with the imperialist adventurer T. E. Lawrence, and Edward Said and Gilles Deleuze, and take to the road with the Sufi nomad Isabelle Eberhardt, who observes, 'I am quite aware this way of life is dangerous, but the moment of danger is also the moment of hope'. The Politics of Writing Islam is a triumph of the spirit of the Qur'an's Sura 30 Ayat 22, in which the very 'variations in your languages and your colours' beckon as revelatory signs against racism and authoritarian identity politics everywhere.
This book is an excellent analysis of the treatment of Muslim societies and Islam in contemporary social theory, literature, and travel writing. Reading a dazzling array of genres, Mahmut Mutman reveals the underlying thread of Orientalist preoccupations that saturates these writings from various Western disciplines. Challenging innovations in postmodern ethnography, Mutman skillfully deconstructs these to demonstrate how anthropology remains a key site for colonial conceptions of the Western subject.
The Politics of Writing Islam is indispensable reading for scholars of 'political' Islam as well as those interested in understanding Western investments in their phantasies of Muslim peoples. Mutman's deep familiarity with critical theory secures his position as a leading cultural critic.
The Politics of Writing Islam provides a much-needed critique of existing forms of studying, writing and representing Islam in the West . . . While offering a critical insight into concepts such as writing, power, post-colonialism, difference and otherness on a theoretical level, Mutman reveals a different perspective on Islam by emphasizing its living, everyday and embodied aspects in dynamic relation with the outside world
Mahmut Mutman teaches cultural and critical theory and is the co-ordinator of the Program in Cultural Studies at Istanbul Sehir University, Turkey. He has widely published on orientalism, postmodernism, nationalism, and Islam.